Arcana

Issue one of Arcana by T.S. Wells and Rob Clark.

Issue one of Arcana by T.S. Wells and Rob Clark.

Arcana is a comic book series original appearing in 1994, written by T.S. Wells with art by Rob Clark. The independent fantasy comic was published under the creators’ names, “Wells & Clark”, out of Grimsby, Ontario.  The first issue in the series is a double sized issue at 72 pages and in black and white and contains two parts.

Clark and Wells continued the series for three more years, publishing issue eleven as the final issue in June of 1997. The comic remained in black and white including the distinctive black and white covers, at 24 pages each.

Arcana stars three anthropomorphic characters including the con artists, Flagg (a raccoon) and Foxglove (a fox), and later a third character, Clorinda (a tiger). The story follows the petty criminals and the haunted Clorinda as they travel on their journey to find Clorinda a new beginning from her mysterious past while discovering more about each other in every village and adventure.

  • Arcana #1 – 1994
  • Arcana #2 – March 1995
  • Arcana #3 – May 1995
  • Arcana #4 – July 1995
  • Arcana #5 – September 1995
  • Arcana #6 – January 1996
  • Arcana #7 – April 1996
  • Arcana #8 – July 1996
  • Arcana #9 – September 1996
  • Arcana #10 – January 1997
  • Arcana #11 – June 1997

Arcana was distributed throughout the US and Canada at around 3000 books a print run.

Nelvana of the Northern Lights and Triumph Comics

On September 10th, 1939 Canada joined the war effort and made its first independent declaration of war. It maintained its status and position in the war effort but by late 1940, preservation of the Canadian dollar became a priority. In December of 1940 the legislation known as the War Exchange Conservation Act (WECA) was passed and the prohibition of importing luxury goods from outside Canada commenced.

Also during this time, the American pulps and comics industry was booming. Some of the most famous current superheroes were well into their own story lines, and children in North America were reading them religiously. However, with the introduction of WECA, American comics were quickly removed from Canadian new stands as they fell under the non-essentials banner.

In the spring of 1941, two Canadian publishers sprang up to fill the void left by American comics which were Maple Leaf Comics and Anglo-American Comics and in the summer of that year, Hillborough Studios and Commercial Signs of Canada (later Bell Features).

Triumph #1Hillborough Studios was created and launched by Adrian Dingle with the assistance of the Kulbach brothers, Rene and Andre. Its only title, Triumph Adventure Comics, debuted in August of 1941 and contained the first appearance of Nelvana of the Northern Lights, also created by Dingle. She continued to be featured in all of Hillborough’s Triumph Adventure Comics up to issue six when Cy Bell of Bell Features purchased the title and the company and merged them with his own. Since then, Bell began publishing the comic from issue seven onward as Triumph Comics. Adrian Dingle was hired as art director for Bell Features but continued to work on the series as sole creator.

Nelvana of the Northern Lights was featured in the first 31 of the 32 issues of Triumph comics. It ran from 1941 to 1947, ending just shortly after the WECA ban was lifted. Two stories appear outside this run including a colour story in Super Duper Comics No. 3 published in May of 1947 and the Death Dealing Double story published in the collected Nelvana of the Northern lights. Nelvana is most famous for predating Wonder Woman and being part Inuit and goddess, her father being Koliak the Inuit god. Her story was loosely based on an Inuk elder the Group of Seven’s Franz Johnston brought back from his travels in the North and restylized to fit comics by Dingle. In 1970 when Michael Hirsh and Patrick Loubert purchased the rights to Bell Features, they named their animation studio after her, Nelvana Limited.

Nelvana GlaciaNelvana’s most famous adventures are that of her battling the Axis, with evil characters like Toroff and Mardyth and the Dictator! Subsequent storylines included Vultor, Queen of Statica and Knuckles, among others. She was assisted by her brother Tanero as both dog and human and her friend Corporal Keene, the RCMP officer. Although no Canadian Golden Age comics have been collected or reprinted since they were first published almost 70 years ago, my associate Hope Nicholson and I have obtained exclusive reprint rights and are crowdfunding the project until November 1st. Donating to this project will not only get you a copy of the complete collection of Nelvana, but funds will also go to promoting her and creating the highest quality product possible. The ultimate goal is to make Nelvana a household name!

Doug Wright Awards: Awards and Comics

In 2011 American cartoonist Dustin Harbin created a short comic celebrating the Canadian Doug Wright Awards inspired by the event he initially attended in 2010. The awards ceremony was developed by Brad Mackay and Seth in 2005 and was created to promote Canadian comics culture and work.

The comic is an interesting perspective into the relatively new awards ceremony, which, considering the few that Canada boasts on the subject, is exclusively Canadian. After the 2011 ceremony, Harbin created his comic The Doug Wright Awards 2011: An Essay in Comics, by Some American which was featured on The Comics Journal website. This was Harbin’s contribution as diarist to the magazine as part their Cartoonist Diaries initiative. It was also later published in hardcopy and can be purchased on Harbin’s  site.

The comic is an excellent look at the Doug Wright Awards from an outside perspective, and was featured in the program of the 2012 DWAs as well, where Dustin Harbin was a guest and presenter.

To see more about Harbin’s opinions on award ceremonies including responses from both Brad Mackay and Kevin Boyd, go here.

Murray Karn

Murray Karn began his career with Bell Features in early 1942 while the publisher was still under the name Commercial Signs of Canada. Only 18 at the time, much of his original work was done for the Thunderfist and Jeff Waring storylines.

Karn worked on ‘Thunderfist’ in Active comics and was the most consistent artist for the line. His talents were not overlooked at Bell Features; he also did several covers for Active Comics as well as working on the ‘Jeff Waring of the Amazon’ storyline of his own creation. It was released about a month after ‘Thunderfist’ in March of 1942 and was run in Wow Comics, Bell Features’ first comic title.

Karn continued to work regularly for Bell Features for the next two years as artist on these and other lines including Captain Red Thorton, Rex Baxter and Scotty MacDonald. He even contributed artwork to the narrative shorts in Triumph Comics, all under Bell Features. Within a couple years, Karn went into the Medical Corps but continued cartooning for the wounded troops to raise their spirits.

murray karnAs Bell Features continued to gain prominence in Canada’s comic book industry, Karn was easily accepted back into the ranks just shortly before the end of Canada’s Golden Age and finished the last two issues on Jeff Waring. Shortly after, Karn went to New York to pursue other opportunities.

His classic and realistic style make his comics very easy to spot and a pleasure to view. His characters, nothing short of perfection, are elegantly composed, both on the paper and in character. Karn’s style at this time was almost reminiscent of a twenties chic with his big eyed beauties and his men modeled much like Clark Gable. Specifically, Karn’s style was distinctive in such a way that his comics were of a much higher caliber.

Murray Karn currently resides in New York and is a part of the Southampton Artists Society. Find out more on his work in the upcoming documentary Lost Heroes.

The 1980 Comics Annual

One of my greatest regrets is that there are not more easy to access resources regarding Canadian comics. Some of these would not only include historical information but also sample work. This is perhaps one of the reasons why I so love anthologies. They are a testament to the range and variety of comics, artists and writers that were published at the time.

Ian Carr, a Canadian who has done a bit of everything in the comic book industry, is a man after my own heart. In 1979, Carr edited a book called The 1980 Comics Annual published by Potlatch Publications. Carr’s original goal was to put out an anthology like this yearly, featuring many top artists but unfortunately that did not happen. Had it been more successful, I would probably not be needing to write this blog, but I’m so happy he took the initiative anyway. The book, weighing in at 128 pages, half of which are in colour, feature work from great Canadian creators. Here is a list of the contents:

  • Return of the Magician: Arn Saba (Script), Lois Atkinson (Script assistance), Don Inman (Art)
  • Blarg the Swordsman: John MacLeod
  • The Intergalactic Depletion Machine #21
  • Stareway
  • Tales of King Arthur: Bill Slavin
  • Street Noise: Ken Steacy
  • Sir Rolaid and the Black Knight: Bill Slavin
  • The Believer!
  • Haab the Luckless: Steve LeBlanc
  • Totter of the Mounted: JOT
  • Last Chance!: Bob Smith
  • Neil the Horse: Arn Saba, D. Roman
  • The Revenge of Yukon Tom!: Richard Cordoba
  • Malcolm and Eric: Ian Carr
  • The Hunter: Martin Springett
  • Wirely L. Wiremire: Tom Nesbitt
  • Wirely L. Wiremire in Wired Again, Part I: Tom Nesbitt
  • Cave-in: James Simpkins
  • Dust Bowl Sanction: Jim Craig (Art and script), Bill Payne (Inks and Lettering)
  • Wirely L. Wiremire in Wired Again, Part II: Tom Nesbitt
  • The Gauntlet of the Gods: John MacLeod (Art and script), Steve LeBlanc (Assist)
  • Tommy Whitehawk: Don Inman
  • Cave-in: James Simpkins
  • Danger Squad: Ian Carr
  • A Dick Mallet Adventure: Michael D. Cherkas
  • Flying Eight Ball: Tom Nesbitt
  • Neil the Horse Goes to Hell: Arn Saba, D. Roman
  • Spud: William King (Plot), Paul McCuscker (Art and script)
  • Bubblegummers in The Cat’s Night Out: Jeff and Carol Wakefield
  • Little Feller: Ron Van Leeuwen (Script), Franc Reyes (Art)
  • Space Cat and the Flaming Commandos: Tom Nesbitt

The book also has that very distinct feel of the seventies with the science fiction fascination at the time, while there is also a very strong influence of underground comics, especially with MacLeods already satirical style. But most importantly, it shows a broad range of talents from more mainstream styles like Ken Steacy and Jim Craig to cartoonish spoofs by Bill Slavin and Tom Nesbitt. It even has Neil the Horse, a comic that successfully bridges the gap from the seventies to the eighties. As sited above in the Potlach Publications link, this book is still for sale by the publisher, but it’s also available on ebay or Abebooks if you look.

Casual Casual Comics

Casual Casual. A graphzine with an array of different styles and artists that sold in the States, the UK, France and Japan. What is a graphzine you ask? Peter Dako, the creator of Casual Casual says:

“But is it art? Of course it is, when it’s not being something else legitimate: Commercial design, advertising, promotion, magazine or calendar illustrations, or whatever. Though this stuff usually is being something else, it’s still interesting, as an array of the definitive design style that’s emerged to greet (and sell things to) the alienated, rich kids of the 1980s.”

But it wasn’t always like that.

Cover by Carel Moiseiwitsch

Casual Casual comics, by Casual Casual Enterprise, was created by Peter Dako in Toronto in 1983. The first issues were released in black and white, much like most zines, and all 8 of its pages feature the work of Dako himself. This carried on, as Dako published the zine twice monthly throughout October of that year to December, and slowly, Dako increased his content and page count. By December 1983, the zine had 12 pages and in March 1984, issue number 9 contained contributions from Sean Leaning and Dai Skuse.

It wasn’t until the 10th issue that the “graphzine” really began to take shape. The issue went from 12 pages to 16 pages and featured the work of 6 other artists including some of Chester Brown’s earliest work.

After this, Casual Casual exploded. The price, advertising costs, pages and artist content all increased. Within a year Casual Casual is distributed in over six countries including France, the US, the UK and Japan, with artists from those countries. A regular crew of writers and artists joined the lineup, covering a broad range of subject including social commentary, interviews and, I guess, just general humour. It was around this time that the graphzine changed its title to Casual Casual Graphix Magazine.

Cover By Cathy Millet.

The series finished with the Casual Casual Cultural Exchange at the Artculture Resource Centre in April of 1987. This exchange travelled to the above countries on a tour and the resulting tome was a special edition, containing issues 19 and 20. The book covered the event, some of the work of the attending artists and writers and the more regular crew like Carel Moiseiwitsch and Barbara Klunder.

If you’re interested in more of Peter Dako’s work, or would just like to read more about this series, you can visit his website here. Also, there is a full list of Casual Casual Cultural Exchange artists and contributors at the bottom of this post. And finally, much of Chester Brown’s work that appeared in Casual Casual can be found in his book The Little Man: Short Strips, 1980-1995. The final issue definitely represents a global generation of comic book artists and styles from comic “hotspots”. Worth checking out if you have the chance.

Issue #10

  • Why, Big Boy? Letters:
  • Mr. D, the Comic: Sean Leaning
  • Snappy Jack Jones: Ed Hore
  • Grim Fairytales: Rumplezitskin: Barbara Klunder
  • Big Boy: Peter Dako
  • About Brad’s Enlightenment: Chester Brown
  • Tales from the Igloo: Peter Dako
  • The End Bar and Grill: Kat Cruickshank
  • Mickey Mouse Ad: John Pagani (Rendezvous)
Issue #13
  • Editorial
  • Why, Big Boy? Letters:
  • The End of the Nuclear Family: Carel Moiseiwitsch
  • Grim Fairy Tales: Handsome and Gruesome: Barbara Klunder
  • Little Orphan P.T.: Peter Dako
  • In Around Town: Renata Janizewski
  • Young Lizzie Biscuit: Julie Voyce
  • The Modern Hippie: Myra Hancock
  • End Bar and Grill: Kat Cruickshank
  • North BayGold: Lorne J. Wagman
  • Day in Day out: John Colapinto
  • Art Bar: Update: Peter Dako
  • Family Story: Placid
  • Bedtime Story: PT Boy (Who I think is Peter Dako)
  • Zulu Days: Sean Leaning and P Boy (Also Peter Dako)
  • I Have Seen the Wind: Michael Will
  • My Old Neighbourhood: Chester Brown
  • Big Boy: Peter Dako
  • I’m Down Man: Alex Currie
  • Happy Birthday Mr. D: Sean Leaning
  • Ehore: Ed Hore
  • About Our Artists:
  • Cover: Long Wok
Issue #14
  • Editorial
  • Why, Big Boy? Letters:
  • Hands Off, He’s Mine: Myra Hancock
  • Big Boy: Peter Dako
  • In and Around the Town: Renata Janizewski
  • The Art of Tragedy: Carel Moiseiwitsch
  • Big Al: Alex Currie
  • The Bird and the Pumpkin go to Mars: Chester Brown
  • Love Story: Placid
  • Average Average: John E.
  • Reading Room:
  • TurkeyTime: Peter Dako and Sean Leaning
  • Grim Fairy Tales: Rapunzel: Barbara Klunder
  • Security Shaman: Dai Skuse
  • Life as a Small Particle: Julie Voyce
  • A Tale from Gimbley: Phil Elliot
  • The Potato Boy on the Road to Recovery: Peter Dako
  • Cover: Placid
Issue #15
  • Editorial
  • Why, Big Boy? Letters:
  • In a Doubtful Fight: Placid
  • I See But I do Not, I See But I See the Animal: Chester Brown
  • Police May have Erred in Slaying: Carel Moiseiwitsch
  • Books in Review
  • Big Boy in Free Education: Peter Dako
  • Macdoodle Street: Peter Dako and Stamaty
  • Grim Fairy Tales #8: Barbara Klunder
  • The Realistic Rachel Random: Rae Johnson
  • Security Shaman: Dai Skuse
  • Seven Sins In Eight Pages: Mark Newgarden
  • I Have Seen the Wind: Michael Will
  • Jacob’s Hat; Casual Casual Exclusive: Phil Elliot
  • Artists in this Issue
  • Cover: Carel Moiseiwitsch
Issue #16
  • Sing-a-long Casual Song
  • Editorial
  • Why, Big Boy? Letters:
  • A Tale from Gimbley: Phil Elliot
  • Complex Complex: Bob X
  • Dogo and Bog Danone: Jocelin
  • I Have Seen the Wind: Michael Will
  • Douglas: Phil Elliot
  • The C.I.A. War Manual for Rebels: Carel Moiseiwitsch
  • Our Story So Far: Whatta Wally
  • From Big Boy With Love: Peter Dako
  • Reading Room: Chester Brown
  • The Realistic Rachel Random: Rae Johnson
  • Fish-Head: James Stubbs
  • Rei De Surf (Surf King!): Peter Dako
  • Un Amor Di Flora: Brian Shein
  • Why Don’t They Just Die: Alex Currie
  • The Return of Mr. D: Sean Leaning
  • Casual Casual Artists:
Issue #17
  • Editorial:
  • Why, Big Boy? Letters:
  • Drunking Skull: y5p5
  • Mojo: Mary Fleener
  • Washington DC GO*GO: T. Yumura
  • Identified Objects: Brian Shein
  • Mr. Steel: Alain Pilon
  • Oh Canada Our Home and Native Land: Carel Moiseiwitsch
  • My Fight is Yours! Let’s Exterminate the White Race: Interview with cover artist Romain Slocombe
  • Shock Treatment: Text by Max Fournier Art by Romain Slocombe
  • Learn to Read: Bruno Richard
  • I Have Seen the Wind: Michael Will
  • Allo Mina!: Placid from Zoulou reprint
  • Man of Mystery Exposed: Placid Interview
  • Big Boy Meets Jim Bones: Y5P5, Peter Dako
  • Big Boy and Rita Meet Mr. Howl: Peter Dako
  • About the Artists:
Issue #18
  • Why, Big Boy? Letters:
  • Sexmalice Sucesoir: Placid/Toffe
  • A Tale From Gimbley: Phil Elliot
  • Crazy Tommy Finds Money: Martha Hamilton
  • It Does Happen Here!: Peter Dako
  • With Love and Affection: Henriette Valium
  • The Jim Bones Games #1 and 2: Y5P5
  • The Patience Party for Diet People: Akiko Miura
  • The Party at P.’s Home: Bruno Richard
  • Zoo Phobie: Phillipe Lagautriere
  • Garcon: Hideki Nakazawa
  • Corpsemeat Comix 11/2: Savage Pencil
  • Mr. Big Boy He’s Dead: Peter Dako
  • Ou Donc Daddy Fait Dodo?: Marc Caro
  • I Have Seen the Wind: Michael Will
  • Angels: Omuzi Suenaga
  • Love is Where You Find it: Carel Moiseiwitsch
  • Excerpt from “Femmes Pratiques”: Willem
  • Web of Horror: Peter Dako, Placid
  • Godzilla: Mary Fleener
  • Death Bar: Peter Dako
  • Sav X. How Big is Your Sex? (Interview): Peter Dako
  • Carel Moiseiwitsch Talks Too…(Interview): Brian Shein
  • Reviews:
Other artists and contributors appearing in the double issue #19 and 20 are:
Marc Caro, Bruno Richard, Pascal Doury, Toffe, Gerbaud, Placid, Muzo, Yves Chaland, Max, Y5P5, Phillipe Lagautriere, Willem, Jocelin, Jaques Elies Chabert, Cathy Millet, Mirka Lugosi, Zorin, Gary Panter, Robert Williams, Gilbert Shelton, Charles Burns, Peter Bagge, Kim Deitch, JR Williams, Mary Fleener, Dennis Worden, Julie Voyce, Kurt Swinhammer, Fiona Smyth, Bob X, Bill Griffith, Savage Pencil, Chris Long, Battle of the Eyes, Carel Moiseiwitsch, Henriette Valium, Rick Trembles, Alain Pilon, Lyne Lefebvre, Claud Beland, Barbara Klunder, Luc Dussault, General Idea, Sean Leaning, Fastwurms, Rae Johnson, Michael Merrill, Dave Geary, Chester Brown, Runt, Peter Dako, “King” Terry Yumura, Shigeru Sugiura, Tara Yumura, Yosuke Kawamura, Suzy Amakane, Emiko Carol Shimoda, Yoshikazu Ebisu, Tetsuya Kitada, Keiji Itoh, Takashi Nemoto, Keiichi Otah, Akiko Miura, Harumi Ichisi, Kayoko Yamashita, Vassily Tabascova, Omuzi Suenega

Beer Comix

Beer Comix

Alright, so here’s a hot comic from Canada’s underground which, as I write this, is selling for $156 on ebay. Completely produced by David Stewart Geary, or Dave Geary, the comic focuses primarily on beer and features much of the same bawdy tones as many other comix of its time. Geary was another master of the Underground comix age in Canada, producing other titles such as Gopher Freedom and Fleshapoids.

Definitely some mature content, and I have to tell an anecdote. Inside the front cover in the indicia, there is what I assume to be a purposeful “typo”. This typo asserts that the comic was published by Public Pubications, and not Public Publications. I laughed, which I’m sure was the intent of the writer. The funnier still was the entry made in the old finding aid. The person who went through this collection before me did not put down a publisher! There’s no way they could have missed this, and it’s blasphemy that they put nothing. What I assume happened was that they couldn’t cross check it, and rather than embarrassingly putting down what was there, they put nothing at all.

Published in Saskatoon in September of 1971, the heart of the Underground comix era, Geary did put out two more issues after this one. Here are the titles from Beer Comix #1:

  • Chimo Queen of the Ritz in Love’s Labours
  • You Betcha
  • Eco Tunes and Murky Maladies
  • I Love My Frog
  • Goony Bunny answers that Age Old Question, “Is it Sex or is it Lust?”
  • Things to Do: “How to Get on Everybody’s Nerves”
  • Dream of the Rave Beer Fiend
  • Love on the Slopes: A Shelly James Ture Romance Adventure
  • A Beer Comix Vignette
  • Metropolitan Comix
  • Chimo Queen of the Ritz
  • Lurid Pap Comix
  • Goony Bunny the Philosopher Rabbit
  • Stark, Scary and Lustful
  • A New Era Dawns in Agadir-Morocco
In the first Chimo comic, Chimo’s name is given this introduction:
*Chimo (Pron. CHEE-MO) Ancient Canadian Colloquialism. Mod. trans. “Eat poop white eyes”
See also: Bridge City Beer Comix and Bridge City Revue.

ARG

Coincidentally, there was another ARG zine released in Québec in 1987. ARG was published by Québec artist Denis Goulet, and is written in French. This does not mean you have to speak French to appreciate the comic. ARG was so titled for the sound we make when we die…arg. This is relevant because the five part series sought to commemorate deceased artists or their creations and they took a strictly satirical approach.

This slideshow requires JavaScript.

The comics were produced in the size of a quarter page mini, with the exception of number four which was a half-page size. Here are some of the contributing artists: Jean Morin, Serge Boisvert (Denevert), Michel “Love” D’Amour, André Gagnon, Evan “Boly” Bolduc, Jean-Françoise Guay, Paul “Paulo” Bordeleau, Valium, Mario Giguère, Denis Goulet, Jacques Hébert, Pago, Benoît Joly, Blackwell, Suzanne Payette, Marc

Pageau,”W.M.”, Davio and Blonk. Some of these artists went on to do other things. Jean Morin and Benoît Joly both worked on Bambou, a French alternative comic anthology and Denis Goulet released another zine entitled Teton Magazine dedicated to Gumby. For now, here is a list of the ARG comics and the artists in memoriam.

  • Arg #1 – Hergé
  • Arg #2 – Edgar P. Jacobs
  • Arg #3 – Krazy Kat
  • Arg #4 – Windsor McCay
  • Arg #5 – Batman
A thank you to both André Gagnon and Denis Goulet for giving me a list of contributors and cover scans.

Here are André Gagnon and Denis Goulet‘s current blogs if your interested in checking out more of their work.

Kevin Kurytnik

Business As Usual – Video 2010

It’s pretty interesting to go through some of the older zines from the 80s and 90s and stumble upon some that exceed the typical standards of zine culture. Today I stumpled upon a zine entitled “ARG: Apocryphal Restituion Guild”. This zine, created and produced in Calgary in 1989 by Kevin Kurytnik, was not only one of the better zines I’ve seen as far as physical appearance and production quality went, but also the content. Later Kurytnik later produced “UGH! Undulating Gods in Heat!”

The editor and greater contributor of content to ARG, Kurytnik’s illustrations and dark humour are more subtle and dry than the genre typically produces. His simple but detailed black and white drawings attract the attention of any reader and pair up remarkably well with the content and style of his writing.

Although Kurytnik strayed from the comic world, he was able to carry out his creations and ideas in animation. From ARG, Kurytnik published “Mr. Reaper’s Really Bad Day” which he later turned into “Mr. Reaper’s Really Bad Morning”; a short film that he directed and co-wrote with Carol Beecher. You can see it here:

Here is a link of his other accomplishments if you’re interested in learning or seeing more. Kurytnik is now an instructor at Alberta College of Art and Design and here is his faculty profile.

Active Comics

I loved the art for the mummy!

Active Comics was a comic anthology released irregularly from February of 1942 to 1946 and had a total of 28 issues. It was originally released while Bell Features was still called Commercial Signs of Canada, but after the third issue it changed over to Bell Features. Its more regular continuing comic included Dixon of the Mounted, The Noodle, The Brain, Thunderfist, Active Jim and Captain Red Thorton. Later on in the series Dr. Blue and Blackie and Penny’s Diary were introduced. It had short narratives written by Vic Griffin and several smaller “funny” and “gag” comics by Harry “Hy” Moyer, Mickey Lesik, Mickey Owens, Lou Skuce, Frank Keith and Harry Brunt as well as Peterson, Cal, and Thomas.

Some of the quirks. Active Comics was pretty consistent with artists/writers and story lines having a single artist cover a story for at least a couple of issues before passing it on. In the middle of the series the comic began to cover “The Panthers’” in the Toronto Hockey League although I’m pretty sure there were no actual artists on the team. This was also one of the only ways of distinguishing approximately when a comic was released since they ceased to put a date on the comics after the first three or four issues.

Another “funny” thing they did, was for issue 28, their comic line up was as follows: Torr: Interplanetary Space Detective, The Wing, Steve Storms, The Dreamer and the Polite Pirate, Guy Powers: Secret Agent and Tophat ’N’ Tales. I’m not sure if this was part of Cy Bell’s goal to change his lineup to compete with the American comics that were filtering back into the country or what. I guess only further research can tell. That said, only Fred Kelly remained of his original story comic artists.

Here are some of the regular artists that worked on the above storylines: Ed Legault, Murray Karn, Al Cooper, Ted Steele, Ross Saakel, Leo Bachle, Adrian Dingle, Kurly Lipas, Edmond Good, J. Henly, Mel Crawford, René Kulbach, Fred Kelly, Ed and Carl Alton, Patricia Joudrey and Doris Slater and who I believe are Jon Darian and André Kulbach although they did not sign their full name on the comics. Jerry Lazare, Paul Dak and Allan Ross Mendes worked on the final issue.

My favourite art was by Murray Karn, who by issue 13 had kind of disappeared. I’m curious to see if he turns up again in any of the other Bell Features early comics. All in all, the comic itself was pretty consistent, if not consistently issued, with regular cover art by Dingle and Good.