True Patriot

True Patriot comicIf you know anything about Canadian comics, you know how invaluable the anthology has been to Canadian creators. This website alone is a testament to that by the sheer quantity of comics anthologies released over the last 70 years! Anthologies allow creators to get their work into the public eye who might have otherwise struggled to do so. This is usually due to lack of funds, distribution, or publicity in general and is the problem that has always plagued comics publishing in Canada. Here is the opportunity, again, to change this! It’s history in the making with the project True Patriot!

True Patriot is a “comic book anthology featuring Canadian superheroes written and drawn by some of your favourite Canadian comic book creators.” The advantage this anthology has is an already quite public and well-known cast of creators that will be working on it such as Ramon Perez, J. Torres, Adrian Alphona, Scott Chantler, Jack Briglio, and Faith Erin Hicks! Projects like this are so important to the cultivation of Canadian popular culture, and needs the public support! Please check out the indiegogo page and consider purchasing a copy. Cheers!

Orion: The Canadian Magazine of Space and Time

I know subject of my last few posts blur the areas I’m trying to cover, but I really want to state the importance of including all related and important material on the subject for future reference.

In 1981, a Science Fiction fanzine was published, a publication hand in hand with the comics industry at the time. Orion Magazine: The Canadian Magazine of Space and Time was first published in the summer of 1981 by Discovery Publications in Montreal, Quebec. This exceptional magazine was published and edited by a young, 18-year-old Mark Shainblum. His intent, very clear not to alienate other nationalities, was to provide a fanzine that fairly examined most English speaking science fiction and comics output, but of course, Canadian based. That said, the magazine was definitely Canadian content heavy. 

Accompanying letter.

The first issue is perhaps most noted for Shainblum’s article on Captain Canuck and an interview with Richard Comely. Sadly, the inaugural issue of this series was already printed and ready to be shipped around the same time CKR Productions ceased publishing. In order to remain topical, Discovery included this letter also provided here by Mike Sterling.

Orion #1 contains several other timely references including a rare article on small time zine publisher Kenny Moran Comics out of Winnipeg, Manitoba and a comic entitled Captain Chinook by Captain Canuck artist Claude St. Aubin. Otherwise, the fanzine is 36 pages, oversized, black and white with colour cover and mostly a compilation of reviews, interviews, poetry, etc. at .

The second issue was almost double the length at 64 pages and slightly larger than the first. As far as luck goes though, it didn’t fair much better. Shortly after giving a long, in depth interview to Shainblum for the magazine, Gene Day passed away at only 36. Fortunately, Orion wasn’t already printed and Shainblum was able to explain that it was one of Day’s last interviews. Like the first issue, the second contains several excellent supporting pieces including a comic by Geof Isherwood called White Thunder and a Captain Canuck parody comic called Captain Canduck.

Orion only saw two printed issues before retiring in 1982. This was not the end though. In 2004, Shainblum resurrected Orion digitally with Comicopia for six more issues, all of which can be read here. Should you want a copy of the earlier Orion issues, you may be able to aquire copies directly from Shainblum himself.

Until then, here is the content of the first and second issue.

Orion #1

  • Quantum (Editorial) – Mark Shainblum
  • The Definitive Batman – James J.J. Wilson
  • Broadening Horizons: First Encounter with The Spirit – Mark Shainblum
  • Captain Canuck: The Triumphant Return of the Canadian Hero – Mark Shainblum
  • World of Elzon: Imaginitive but… – Mark Shainblum
  • Update (News from the World of SF) – Michael Gilson
  • The Wager – Michael Gilson
  • Ode to a Super Hero – Mark Shainblum
  • “Orion Interview” A Conversation with Richard Comely – Mark Shainblum
  • “Viewpoint” Commentary – Michael Gilson
  • Software: Harlan Ellison reviewed - James J.J. Wilson
  • The Ubiquitous Captain Chinook – Jean-Claude St. Aubin
  • “MediaViews” Galactica: What Happened? – Michael Gilson
  • Books: North By 2000 – Review by Mark Shainblum
  • Pharma – Mark Shainblum
  • The Riddle – Rhonda Kert
  • Afterburn: Closing Commentary – Mark Shainblum

Orion #2

  • Quantum (Editorial) – Mark Shainblum
  • Orion Response (Letters)
  • Comicswatch (Reviews)
  • An Interview with Marv Wolfman – Mark Shainblum
  • Another Interview – Gabrielle Morrisette
  • The Loneliness of the Long Distance Writer – Lesley Choyce
  • White Thunder – Geof Isherwood
  • The Last Interview: A Conversation with Gene Day Mark Shainblum
  • Fanwatch (Fanzine Reviews)
  • Captain Canduck – John Bell (Words) Owen Oulton (Art)
  • …And the Canadian Way? – Christine Kulyk
  • Books (Reviews)
  • Brass Orchids (Column) – Lisa Cohen
  • Afterburn (Closing Commentary) Mark Shainblum

Doug Wright Awards: Awards and Comics

In 2011 American cartoonist Dustin Harbin created a short comic celebrating the Canadian Doug Wright Awards inspired by the event he initially attended in 2010. The awards ceremony was developed by Brad Mackay and Seth in 2005 and was created to promote Canadian comics culture and work.

The comic is an interesting perspective into the relatively new awards ceremony, which, considering the few that Canada boasts on the subject, is exclusively Canadian. After the 2011 ceremony, Harbin created his comic The Doug Wright Awards 2011: An Essay in Comics, by Some American which was featured on The Comics Journal website. This was Harbin’s contribution as diarist to the magazine as part their Cartoonist Diaries initiative. It was also later published in hardcopy and can be purchased on Harbin’s  site.

The comic is an excellent look at the Doug Wright Awards from an outside perspective, and was featured in the program of the 2012 DWAs as well, where Dustin Harbin was a guest and presenter.

To see more about Harbin’s opinions on award ceremonies including responses from both Brad Mackay and Kevin Boyd, go here.

The 1980 Comics Annual

One of my greatest regrets is that there are not more easy to access resources regarding Canadian comics. Some of these would not only include historical information but also sample work. This is perhaps one of the reasons why I so love anthologies. They are a testament to the range and variety of comics, artists and writers that were published at the time.

Ian Carr, a Canadian who has done a bit of everything in the comic book industry, is a man after my own heart. In 1979, Carr edited a book called The 1980 Comics Annual published by Potlatch Publications. Carr’s original goal was to put out an anthology like this yearly, featuring many top artists but unfortunately that did not happen. Had it been more successful, I would probably not be needing to write this blog, but I’m so happy he took the initiative anyway. The book, weighing in at 128 pages, half of which are in colour, feature work from great Canadian creators. Here is a list of the contents:

  • Return of the Magician: Arn Saba (Script), Lois Atkinson (Script assistance), Don Inman (Art)
  • Blarg the Swordsman: John MacLeod
  • The Intergalactic Depletion Machine #21
  • Stareway
  • Tales of King Arthur: Bill Slavin
  • Street Noise: Ken Steacy
  • Sir Rolaid and the Black Knight: Bill Slavin
  • The Believer!
  • Haab the Luckless: Steve LeBlanc
  • Totter of the Mounted: JOT
  • Last Chance!: Bob Smith
  • Neil the Horse: Arn Saba, D. Roman
  • The Revenge of Yukon Tom!: Richard Cordoba
  • Malcolm and Eric: Ian Carr
  • The Hunter: Martin Springett
  • Wirely L. Wiremire: Tom Nesbitt
  • Wirely L. Wiremire in Wired Again, Part I: Tom Nesbitt
  • Cave-in: James Simpkins
  • Dust Bowl Sanction: Jim Craig (Art and script), Bill Payne (Inks and Lettering)
  • Wirely L. Wiremire in Wired Again, Part II: Tom Nesbitt
  • The Gauntlet of the Gods: John MacLeod (Art and script), Steve LeBlanc (Assist)
  • Tommy Whitehawk: Don Inman
  • Cave-in: James Simpkins
  • Danger Squad: Ian Carr
  • A Dick Mallet Adventure: Michael D. Cherkas
  • Flying Eight Ball: Tom Nesbitt
  • Neil the Horse Goes to Hell: Arn Saba, D. Roman
  • Spud: William King (Plot), Paul McCuscker (Art and script)
  • Bubblegummers in The Cat’s Night Out: Jeff and Carol Wakefield
  • Little Feller: Ron Van Leeuwen (Script), Franc Reyes (Art)
  • Space Cat and the Flaming Commandos: Tom Nesbitt

The book also has that very distinct feel of the seventies with the science fiction fascination at the time, while there is also a very strong influence of underground comics, especially with MacLeods already satirical style. But most importantly, it shows a broad range of talents from more mainstream styles like Ken Steacy and Jim Craig to cartoonish spoofs by Bill Slavin and Tom Nesbitt. It even has Neil the Horse, a comic that successfully bridges the gap from the seventies to the eighties. As sited above in the Potlach Publications link, this book is still for sale by the publisher, but it’s also available on ebay or Abebooks if you look.

Mackenzie Queen

Cover of Issue 4 by Stephen Bissette.

Mackenzie Queen is a five issue limited series written and drawn by Bernie Mireault. Although much of the story was completed in 1983, it wasn’t published until 1985 when Grabriel Morrissette and Mark Shainblum’s Montreal based publishing company Matrix Graphic Series picked it up. The five issues ran irregularly until 1986.

Although the title suggests otherwise, the story is actually science fiction, reminiscent of A Hitchiker’s Guide to the Galaxy. Mackenize Queen is chosen by “the brotherhood” to save the world against the Ice Men who, having destroyed their own planet, would take Earth for themselves. Queen is assisted by an seven-foot tall alien called Ududu, who is a friendly carnivore and who also provides much of the comic relief for the story.

Interestingly, this series has lots of fun bits including a bathroom copy Love and Rockets, published letters from John Bell and Rick Taylor, and some great comic shorts from Jacques Boivin. Also, I loved seeing advertisements for Renegade Press’ Wordsmith and Ms. Tree, the support of which is very characteristic of Canadian comics. In issue three there are pictures of the supporting cast with accompanying comical blurbs for each including Mireault, Morrissette, Shainblum and Boivin, who was apparently 333 years old at the time.

Although the first issue has slightly awkward scripting, Mireault recognizes this citing “It has some rough edges, but keep it anyway”. Stephen Bissette also contributes with some great cover art on books four and five and Jan Harpes also contributing art in book three. Mireault’s art is wonderful and consistent and the final product, all five issues, make an excellent series. Mackenzie Queen is a really great, original story and one of the few that actually got published through to the end, so grab it if you see it, you won’t be disappointed!

Orb Magazine

Orb #2 featuring Northern Light on the front cover.

In 1974, the honeymoon of the science fiction and comics marriage, James Waley published Orb Magazine from Toronto, Ontario. This is three years before Andromeda was published, and is very much Andromeda’s predecessor. Both lasted only six issues, featured many of the same artists and writers such as Don Marshall, John Allison, George Henderson, Gene Day, Peter Hsu and Jim Beveridge. They both focused on similar content, that is, science fiction genre common in the alternative comics scene of the 1970s with a touch of the adult themed including nudity and other mature content.

The comic has more to give in the way of just science fiction. This is the magazine that is known to produce one of the many Canadian national superheroes, Northern Light. Originally scripted by an American for an American audience, the character was adapted for the Canadian magazine. Later, James Waley resumed writing duties for the character, but, like his many brethren in red and white, the character was very short lived.

Norther Light wasn’t the only regular story line in the magazine. There was also the Electric Warrior, Kadaver and Dark Ninja. This magazine did also feature some coloured pages, mainly those given to Northern Light. Never fewer than 50 pages per issue, some contain more than 10 in colour. The series ran from July 1974 until April 1976.

Orb #1 Cover by John Allison

Orb 1 – 1974

  • The Ride: Stanley Berneche
  • The Astounding Origin of Kadaver: James Waley
  • Devil’s Triangle: John Allison
  • Belial: Paul McCusker
  • Meta-Morphosis: Alexander Emond
  • Whirls of a Numb-a; Matt Rust

Orb 2 – July 1974

  • Plague: Gene Day
  • Galactic Queen: Paul Savard and John Allison (Script) Paul Savard (Pencils) Gene Day (Inks)
  • Musical Roulette: Ronn Sutton
  • The Seeker: Matt Rust
  • The Guardian of Mars (Northern Light): T Casey Brennan (Script) John Allison (Art)
  • No-Man’s Land: Paul McCuscker
  • Salvation: James Waley
  • Reeve Perry: Bruce Bezaire
  • Small Talk:

Orb 3 – December 1974

  • Lepers: Paul McCuscker
  • Half-Life: John Allison
  • Cheezy-Nuggets: Alexander Emond
  • Super-Student: Ken Steacy
  • Northern Light: The Lone Guardian Strikes: T. Casey Brennan (Script) Jim Craig (Art) Matt Rust (Colours) and James Waley (Colours)
  • Escape the Truth: Richard Robertson
  • Karkass: Matt Rust
  • A Shroud of Tattered Grey!: Gene Day
  • The Rescue of Raniff The Fair: Ronn Sutton

Orb 4 – November December 1975

  • Electric Warrior: Ken Steacy (Art) Kerri Ellison (Script)
  • Encore: Matt Rust
  • Gothic Glitter: Peter Hsu (Art) George Henderson (Script)
  • Dark Ninja: Vincent Marchesano
  • The Horror of Harrow House: Gene Day
  • The Astounding Origin of Kadaver Continued: James Waley
  • Child Slayer-World Saver?: Art Cooper (Art) James Waley (Script) Matt Rust (Script)
  • The Origin of the Northern Light Part One: Jim Craig (Art) Jim Craig (Script) James Waley (Script) and George Henderson (Script)
  • Space Scouts: Matt Rust

Orb 5 – January February 1976

  • One Man’s Madness: Gene Day (Art) T. Casey Brennan (Script)
  • Dark Ninja: Harbinger of Doom: Vincent Marchesano (Pencils) Bill Payne (Embellishments) Russell Wallace (Script)
  • Retribution: Gene Day (Script and pencils) Peter Hsu (Inks and tones) Matt Rust (Tones)
  • Man O’ Dreams: Don Marshall (Art) George Henderson (Script)
  • The Origin of the Northern Light Part 2: Dénouement: Jim Craig (Art) James Waley (Script) Matt Rust (Script)
  • Kadaver: My Will Be Done!: Art Cooper (Layouts) Jim Craig (Finishing) Matt Rust (Tones) James Waley (Script) Matt Rust (Script)
  • Back Cover: Don Marshall

Orb 6 – March April 1976

  • Cosmic Dancer: Jim Craig (Art) Augustine Funnell (Script)
  • Woof! Woof!: Matt Rust (Art) George Henderson (Script)
  • Gyk the Barbarian in Escape: John Sech (Script) Paul McCuscker (Pencils) Jim Craig (inks) Gene Day (Colours);
  • Trojan Horse: Gene Day
  • Dark Ninja in Dawn of Darkness: John Sech (Script) Vincent Marchesano (Pencils) Gene Day (Inks);
  • Flame of El-Hamman: Bill Payne (Art and letters) George Henderson (Script)

Orb #6

You can check out more about these comics in either of the John Bell books, but also here and here for some basic information.

One Horse Leadworks

The three issues of Headcheese.

So, one of the more prominent Canadian artists to date is Stuart Immonen who has worked for both DC and Marvel pencilling just about every prominent series within such as Superman, Hulk, Ultimate Spider-Man, Fantastic Four and X-Men. That said, it wasn’t until 1993 that he started working with bigger companies, so what did he do before hand?

Along with his then girlfriend and now wife Kathryn Immonen (née Kuder), they created the publishing house One Horse Leadworks in Toronto. Slightly higher quality than a fanzine, Immonen and Kuder orchestrated the production of alternative comic anthology Headcheese and then Playground, both of which spanned three issues. Headcheese was released in 1988 and the contributors are as follows:

Issue #1

  • The Eternity Bar – Ron Boyd
  • Shooting Gallery – Nick White
  • Mort & Shirley – Kathryn Kuder, Stuart Immonen
  • Pax Magoohan – Wayne Immonen
  • Peer Pleasure – Sheldon Inkol, Stuart Immonen
  • No. 1 – Kathryn Kuder
  • Agro – Nick White
  • Just Thinking – Ron Boyd
  • Passing Time – Stuart Immonen
Issue #2
  • Service With a Smile – Jerry Drozdowsky
  • The Insane Machine – X
  • Mort and Shirley Banks – Stuart Immonen, Kathryn Kuder
  • My Last Girlfriend – Sheldon Inkol, David Scott
  • Peer Pleasure – Sheldon Inkol, Stuart Immonen
  • She-Devil – Kathryn Kuder
  • Blood and Roses – Ron Boyd
  • The Shooting Gallery – Nick White
  • Art Gallery Stuff – Rob Alton
  • Penis Longspot – Stuart Immonen
Issue #3
  • Quantum Leap – Nick White
  • Love in a Calm – Andrew Clark, 1HLW
  • I Saw the Bloody Stump of God – Kathryn Kuder, Stuart Immonen
  • Chicken Gumbo – Stuart Immonen
  • Peer Pleasure – Sheldon Inkol, Stuart Immonen
  • Art Gallery Stuff - Robert Alton
  • The Garden - Jerry Drozdowsky, Ron Boyd
  • Oswald – Sheldon Inkoll, Jai Dixit
Definitely a great piece if you’re interested in his early work, although they might be a bit hard to find considering there were only 250 made of #2 and #3. Likewise, Playground was co-produced by Immonen and Kuder, and the fourth and final issue was published by Caliber Press in October of 1990.
The issues are subtitled as:
  • Prologue: The Vessel
  • Chapter One: The Wheel
  • Chapter Two: The Vessel
  • The Hundred Year’s Wake
Here is an interview with Immonen in which he references the early works, as well as here.

Aircel and Nightwynd

This Logo for Aircel was established some time in 1986 and was used until about 1989.

For those those of you who are already familiar with Canadian comics, you’ll know all about Aircel. For those of you who don’t, it was one of the most successful and well known publishers of the Canada’s eighties alternative comics inside Canada. Hopefully this post will be informative either way.

Officially founded in September of 1985 by Barry Blair and Ken Campbell, the roots of Aircel had long since been established. Campbell, the owner of an insulation installation company (Aircel Insulation) had lost his contract with the government at which his enthused employee wasted no time in trying to persuade him to move in the direction of comics. It worked, and Aircel Insulation then became Aircel comics.

Samurai, officially their first title, had been in print long before Aircel was producing comics, as was Elflord and Dragonring. These were the house titles Blair published under Nightwynd productions which had been publishing since the beginning of the eighties. Interestingly, many of these featured the work of a very young artist by the name of Dave Cooper. Some of the other artists featured in Nightwynd at this time were Mike Burchill, Donald Lanouette, Ron Fortier, Tim McEown, and Guang Yap, the latter two which continued to work with Aircel for a very long time. The majority of these comics were black and white, oversized and were somewhere between a small press comic and a fanzine. The quality improved greatly when they were moved over to Aircel which made the comic in the traditional size with colour covers and newsprint interior.

The comics did very well. After a short first volume of black and white interiors they introduced the second volume in full colour. Blair, having grown up all over Asia, was very familiar with manga and applied this to his own style despite its absence in a predominantly North American style industry. He later became known for popularizing the manga style despite its weak North American market.

Aircel successfully produced comics until late 1988 when the company merged with Malibu comics in exchange for support through their financial difficulties. Because of this and other changes including staff, shortly after the merger Aircel ceased publishing its house titles. It was around this time that it began to publish erotic or sex themed comics, most notably Blair’s Leather and Lace, and change the Aircel logo. In 1990, Men in Black, which later became the hugely successful movie. Finally, in 1991 Aircel broke even, and Blair formally handed the company over to Malibu before moving on to other projects. Aircel continued under Malibu until 1994 when Marvel bought it, after which it ceased publishing.

Owen McCarron and Comic Book World

Auntie Litter…Amazing

In light of my recent post on government or public service comic books, I’ve decided to focus in a little bit more and look at the career of Owen McCarron. Although he’s more well known and searchable on the internet than many other Canadians involved with comics, his company, Comic Book World, is not, which is why I’d like to highlight that aspect of his career.

It is perhaps the most memorable and weighted area of his career. While working in advertising at the Chronicle-Herald limited in Halifax, McCarron also spent his time creating puzzles for the fun and games section of the paper. It was also around the beginnings of his career that McCarron produced the art for some Charlton titles.

In the mid 1960s, McCarron transferred his talent and passion for games, puzzles and comics and created created what became Comic Book World, formerly Comic Page Features. Binkly and Doinkel were just a few characters in his long line of promotional and educational comics. Art very reminiscent of the seventies, I thought of Frosty the Snowman, the soft lines and very colourful style was the appeal for his young audience. Probably the intended goal, his comic company was very successful among private companies and government departments, commissioned to educate children about everything from ethics to safety and sometimes just interesting facts.

The comics were well received among among adults who appreciated the nature of them and the publishing house. One of the only Canadian companies flourishing in the “above ground” scene in the sixties and seventies, McCarron’s only real competition was Ganes Productions by Orville Ganes, located in Toronto. Both were the only successful comic book publishers in an otherwise American-comic-dominated Canada. Despite residing in Halifax, McCarron also received presidential recognition for his contribution to fun and educational comics.

For the most part, McCarron drew, inked and coloured almost all of the comics he produced under CBW and obtained help on several issues from writer Robin Edmiston. The team produced many comics before McCarron went on to produce “Marvel Fun and Games” for Stan Lee in the mid 1970s and some work for DC as well.

Finally, McCarron drew and contributed art to Captain Canuck comics and “helped to inaugurate the Canadian Silver Age of Comics” (Bell 102). He passed away in 2005. Here are a list of titles from Comic Book World as I find them. Also, here is his work on the Halifax Explosion and here is another bio worth reading.

  • Adventures of Binkly and Doinkel, The
  • Adventures of Skoodi the Rabbit, The
  • Auntie Litter Comics
  • Aylmer “Taste of Canada” Comics (with E.S. Pea)
  • Cap’n Bluenose Comics
  • Captain Enviro
  • Colonel Ernie Comics #1
  • Colonel Ernie Comics #2
  • Colonel Sanders Comics #1
  • Colonel Sanders Comics #2
  • Gassy the Elephant Comics #1
  • L’il Easy Saver Comics #1
  • L’il Easy Saver Comics #2
  • L’il Easy Saver Comics #3
  • Wayne & Shuster Comics #1
  • You and the Co-op

Public Service Comics

Binkly, Doinkel, Sniffer the dog and R. Pugsley de Pugh.

Just about any major institution needs to connect with its people. This holds true for the Canadian government, and what better way than to create public service or promotional giveaway comics that are horribly awkward and so straight edge that no one wants to read them? I guess they’re not all bad, but here are some of the ones I’ve come across thus far.

The Adventures of Binkly and Doinkel. The three issues that were released were meant to teach kids about the dangers of household substances like cleaning solutions. Initially Owen McCarron did the art based on Noreen Young’s design and Robin Edmiston did the writing. For 1974, the colour comic was pretty appealing, despite the fact that it was sponsored by the government and educational.

Does not do it justice.

It impressively took one issue to screw up. Technically two, as the second issue made no reference to the first for continuity’s sake, or just general tastefulness, labelling the aliens “Binkley” and Doinkel. To make it worse, the art in the second issue was inconsistent to say the least. It was like the artist, Diane Demerais, was nine and was not shown the original cartoon. The comic was so different from the first it almost doesn’t merit being called the second issue.

The third, as you can see, looks a lot like the first. I’m unsure who the artist was, it could have been McCarron, but there was definitely an effort made at continuity. The comic makes reference to Noreen Young’s character designs as they did in the first and the story is greatly improved. Although it doesn’t give credit on the actual comic, it looks as though this comic was produced by Comic Book World as well.

As you can see, there are only slight differences.

As for the storyline, it remains relatively the same. The aliens are getting into trouble with the household products and the dog, Sniffer, attempts to teach them about how dangerous chemicals can be. The issues were released in 1974, 1978 and 1981. As much as I give this comic a hard time, it’s important to remember that is was released in a period of relatively little Canadian work done for children and it had a purpose other than creativity or entertainment. Really, one and three were pretty good.

Next, the Amazing Spiderman. The series was funded and produced under the direction of the Canadian Association of Chiefs of Police with the cooperation of the Alliance for a Drug Free Canada. This is a pretty big one, and well funded, so needless to say, the government of Canada cut a deal with Marvel to make the educational comics appealing.

The only cover McFarlane did for the series.

Released from 1990 to 1993  was a series of 5 comics in which Peter Parker makes his way to Canada time and again to cover Canadian events like the stampede and science fairs, all the while gracefully teaching young Canadians valuable life lessons about drugs, bikes, and honesty. Sometimes the lesson isn’t very well hidden. Issue number four sees Parker at the stampede battling the Frightful Four. The lesson is located in a couple of one page comics interspersed throughout the main story, and they have about as much to do with spiderman as spiderman has to do with bicycle safety.

I would have loved to have received one of these as a kid. The cover of number one, pictured left, features the work of none other than Todd McFarlane and you can see one of the kids is wearing an Oilers jersey. On issue three, the Blue Jays. It’s this kind of stuff that is just enough Canadiana without being too patriotic or cheesy.

Batman: A Word to the Wise

Finally, DC will not be left behind. Here is a comic sponsored by Zellers to support and promote the cause for literacy in Canada. All funds from this comic went to ABC Canada. Basically, Batman chases the Joker from Montreal to Toronto and there is a lesson in there somewhere about reading. Again I find myself, wishing I had this as a kid, just to link my favourite superhero to Canada. This might just be a hangover of me wishing vainly as a child that not everything came from the US.
Either way, here was the first part to my entry on some public service comics.